检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:王靖芳 李劼刚[1] WANG Jingfang;LI Jiegang(School of Media Technology,Liaocheng University,Liaocheng Shandong,252032,China)
出 处:《文化创新比较研究》2024年第18期9-13,共5页Comparative Study of Cultural Innovation
基 金:山东省传统文化与经济发展专项2021年度课题“传统文化在乡村文旅活动中的沉浸式体验研究”(项目编号:L2021C10290244)研究成果。
摘 要:近年来,喜剧电影已经成了每年我国民众年夜饭餐桌上的“固定菜”,每年都有几十部国产喜剧电影问世,竞争非常激烈。我国喜剧电影已经拥有70年的演进历史,审美价值经过一系列的嬗变,诞生了不少优秀的作品,特别是千禧年以后,我国国产喜剧电影日益呈现出百花齐放的态势,前赴后继的喜剧人以诙谐幽默的方式诠释梦想、歌颂美好。该文选取2000年以后的国产喜剧电影作为研究对象,分析作品中对于主题、叙事、表演和情节的构造,来阐释和探索中国喜剧电影的审美及发展,以期能够梳理国产喜剧电影审美发展轨迹,并力求把握其发展趋势,提出有建设性的发展策略。In recent years,comedy films have become a staple on the Chinese New Year's Eve dinner table,with dozens of domestic comedy films released every year,and the competition is very fierce.China's comedy films have a history of 70 years of evolution,and their aesthetic value has undergone a series of changes,giving birth to many excellent works.Especially after the millennium,domestic comedy films in China have increasingly shown a trend of diversity,with a continuous stream of comedians interpreting dreams and praising beauty in a humorous and witty way.This article selects domestic comedy films produced after 2000 as the research object,analyzes the construction of themes,narratives,performances,and plots in the works,to explain and explore the aesthetic and development of Chinese comedy films,in order to sort out the aesthetic development trajectory of domestic comedy films,and strive to grasp their development trends and propose constructive development strategies.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.7