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作 者:王一川[1] Wang Yichuan
机构地区:[1]北京师范大学文艺学研究中心
出 处:《中国文艺评论》2024年第6期17-25,I0001,共10页China Literature and Art Criticism
基 金:2023年中国文联文艺理论研究(部级)重大课题“中华文明突出特性与新时代文艺发展研究”(项目批准号:ZGWLBJKT202301)的阶段性成果。
摘 要:流溯是当代中国艺术中正生长着的一种新美质。中国艺术美质经历了从古典感兴到现代流兴和典型、流型以及流溯的转变历程。流溯是一种在向前流动中同时溯洄过去的新旧糅合的美质,主要着眼于在当下境遇中激活古老文明精华而又同时让其融入面向未来的创新过程中,成为既流向未来而又同时溯洄传统的当代生活流中化生的创造性美质,包括溯源出新、溯洄本真、今昔漩洑、慕古启今、古雅流俗、心结开释等具体呈现。流溯的结果在于溯源创生,即在流向未来过程中同时返身溯洄往昔而转化成的新艺术美质。Flowing-tracing represents a novel aesthetic quality emerging in contemporary Chinese art.The evolution of Chinese art’s aesthetic qualities has progressed from classical affective images to modern flowing images,then to type,flowing type,and finally to flowing-tracing.Characterized by its simultaneous forward flow and backward trace,flowing-tracing harnesses both new and traditional aesthetic resources.It reactivates the legacies of ancient civilization within a contemporary context,integrating these legacies into a future-oriented innovative process.Thus,this new aesthetic quality serves as a transformative and creative force in contemporary life,bridging future possibilities with historical traditions.Flowing-tracing manifests in various ways,such as creating the new by tracing origins,finding authenticity through backward flow,blending the past and the present,opening new avenues by emulating the old,popularizing elegant elements,and resolving emotional complexities.In a nutshell,flowing-tracing creates a new aesthetic quality by transforming historical resources into contemporary innovations.
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