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作 者:张楠[1] 岳婧[1] ZHANG Nan;YUE Jing(BoZhou Vocational and Technical College,BoZhou Anhui 236800,China)
出 处:《佳木斯大学社会科学学报》2024年第4期100-102,107,共4页Journal of Social Science of Jiamusi University
基 金:安徽高校人文社会科学研究项目:“传播学视角下亳州旅游文化译介与传播研究”(SK2021A1002);安徽省教育厅人文社科重点项目:“文旅融合视角下亳州旅游文化译介与国际推广研究”(2022AH052575);安徽省教育厅高校人文社科研究项目:“大数据时代的大翻译‘亳州中医药文化译介与传播’”(2022AH052578)。
摘 要:托尼·莫里森的小说《家》在叙事艺术上展现了其独特的创新与深度。作者摒弃传统线性叙事,采用非线性、多层次多视角的叙事手法,通过主人公弗兰克·莫尼及其妹妹茜的视角,以回忆、梦境和现实交织的方式展开故事,展现他们逃离种族压迫后的精神回归之旅。莫里森运用细腻的心理描绘和丰富的象征手法,深度挖掘黑人个体的身份认同危机、家庭关系的复杂纠葛以及对家园的追寻渴望。小说中的叙述时空交错,人物内心世界与外部社会环境相互映照,揭示了美国社会历史的深刻烙印和黑人群体的精神创伤。同时,通过对“家”这一主题的反复吟唱,莫里森探讨了家园不仅是地理意义上的归宿,更是心灵救赎与文化记忆的载体。这种叙事策略赋予作品深厚的历史文化底蕴和强烈的艺术感染力,充分体现了莫里森卓越的叙事才能和人文关怀。Tony Morrison’s novel Home showcases its unique innovation and depth in narrative art.The author abandons traditional linear narrative and adopts a non-linear,multi-level,and multi perspective narrative technique.Through the perspective of the protagonist Frank Moni and his sister Sisi,the story unfolds in a way that interweaves memories,dreams,and reality,showcasing their spiritual journey back after escaping racial oppression.Morrison uses delicate psychological depictions and rich symbolic techniques to deeply explore the identity crisis,complex family relationships,and longing for a home of black individuals.The narrative in the novel interweaves time and space,reflecting the inner world of the characters and the external social environment,revealing the profound imprint of American social history and the spiritual trauma of the black community.Meanwhile,by repeatedly reciting the theme of“home”,Morrison explores that home is not only a geographical destination,but also a carrier of spiritual redemption and cultural memory.This narrative strategy endows the work with profound historical and cultural heritage and strong artistic appeal,fully reflecting Morrison’s outstanding narrative talent and humanistic care.
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