欧阳修客者形象的流变及其思想意蕴  

The Flux of Ou-Yang Xiu’s Image of the Guest and Its Thought Implications

作　　者：吕晨 LYU Chen(School of Liberal Arts,Nanjing University of Information Science and Technology,Nanjing,210044,Jiangsu)

机构地区：[1]南京信息工程大学文学院,江苏南京210044

出　　处：《蚌埠学院学报》2024年第4期32-37,共6页Journal of Bengbu University

摘　　要：欧阳修作为北宋文坛领袖,屡遭贬谪,颠沛流离间常以“客者”自喻。以欧阳修诗中的“客者”形象为切入点,联系诗人心境并结合身世经历,发掘欧阳修诗中不同阶段的形象特征,从时间维度、空间维度阐发欧阳修“孤客”“迁客”与“行客”三个自我形象的流变。进而解析欧阳修的三种客者形象所发挥的自我疏解作用,并探寻诗人由理想向现实折衷的心理发展过程。As a literary leader in the Northern Song Dynasty,Ou-Yang Xiu was repeatedly deposed,and he often referred to himself as a“guest”.Starting from the“guest”image in Ou-Yang Xiu’s poems,combining the poet’s mental state with his life experience,it explored the image characteristics in this paper of Ou-Yang Xiu’s poems in different stages,and explained the evolution of Ou-Yang Xiu’s three self-images of“lonely guest”“relocated guest”and“itinerant guest”from the time and space dimensions,his mental state with his life experience.The self-relief effect of Ou-Yang Xiu’s three kinds of guest images has been analyzed,and the psychological development process of the poet’s compromise from ideal to reality has been explored.

关 键 词：欧阳修 客者形象 北宋诗歌 

分 类 号：I206.2[文学—中国文学] K244[历史地理—历史学]