弗拉基米尔·马卡宁小说的对话哲学  

On the Dialogical Philosophy in Vladimir Makanin's Novels

作　　者：于家民 王溪淙 YU Jiamin;WANG Xicong

机构地区：[1]东北大学外国语学院,辽宁沈阳110819 [2]上海交通大学外国语学院,上海200083

出　　处：《外语与外语教学》2024年第2期116-125,149,150,共12页Foreign Languages and Their Teaching

基　　金：国家社科基金重大招标项目“中国现代文学批评域外思想资源整理与研究(1907—1949)”(项目编号:21&ZD258);辽宁省社科基金项目“‘一带一路’背景下中俄跨文化交际言语礼节语料整理研究与教学应用”(项目编号:L20BYY008)的阶段性研究成果。

摘　　要：弗拉基米尔·马卡宁是当代俄罗斯文坛极具代表性的作家,其小说作品反映了当代俄罗斯社会的精神面貌,兼具社会学研究之广度和哲学建构之深度。他的小说创作具有鲜明的对话意识和丰富的对话表达。其对话思想与巴赫金对话哲学血脉相承,秉承了在对话关系中实现自身、完成交往的非独白式精神,以诗学创作构筑哲学思考,形成了独特的文学现象。同时,马卡宁深受20世纪后半叶俄罗斯文化语境影响,催发了其对话诗学的新内容和新形式。他的小说创作围绕科技与文学两种文化的对话这一核心,以科学范式重构对话模式,通过对裂变、折射、三角结构与四维空间等科学范畴的文学迁移,在公式与空间中寻求诗意与哲理,形成了具有个人与时代特色的对话诗学形式和对话哲学思考。Vladimir Makanin is one of the representative writers in contemporary Russian literature and his novels reflect the social and spiritual panorama of contemporary Russia,combining the breadth of sociological research with the depth of philosophical construction.His works are characterized by a distinct dialogical consciousness and rich dialogical expressions.Makanin's dialogical thought is closely aligned with Bakhtin's philosophy of dialogue,adhering to the non-monological spirit of realizing oneself and achieving communication through dialogical relationships.By integrating poetic creation with philosophical contemplation,he has established a unique literary phenomenon.Additionally,Makanin was profoundly influenced by the cultural context of late 20th-Century Russia,which has stimulated new content and forms in his dialogical poetics.His novels revolve around the dialogue between the cultures of science and literature,reconstructing dialogical models through scientific paradigms.By literary transference of scientific concepts such as fission,refraction,triangular structures,and four-dimensional space,Makanin seeks poetic and philosophical meaning within formulas and spaces,creating a dialogical poetics and philosophy that are distinctive to his personal and the era's characteristics.

关 键 词：弗拉基米尔·马卡宁 对话哲学 巴赫金 科技与文学 

分 类 号：I06[文学—文学理论]