无法逃离的佴城:田耳迁徙前后的小说地域书写  

Unable to Escape from Ercheng:Tian Er’s Regional Writing before and after Migration

作　　者：胡游 HU You(College of Humanities,Central South University,Changsha,Hunan 410012)

机构地区：[1]中南大学人文学院,湖南长沙410012

出　　处：《中国文学研究》2024年第3期213-220,共8页Research of Chinese Literature

摘　　要：田耳是70后作家的重要代表。作为土家族作家,他构建了不同于沈从文的“另一个湘西”,湘西在其笔下,褪去了安静朴实、天然纯粹,是一个欲望浮动、性格模糊的“佴城”。佴城是田耳小说重要的文学版图。从湖南来到广西南宁后,田耳开始尝试书写“韦城”,既通过韦城实现在地化书写,又链接佴城,进行情感的怀乡。从佴城到韦城,田耳的小说呈现出一条“无法逃离佴城”的写作倾向。Tian Er is an important figure of post-70s writers.As a Tujia writer,he has constructed“another Xiangxi”which is different from Shen Congwen’s,fading away from the quiet simplicity and natural purity,to a city of floating desires and fuzzy character.Ercheng is an important literary map of Tian Er’s novels.After moving to Nanning,Guangxi from Hunan,Tian Er began to try to write“Weicheng”,not only to realise the localisation of writing,but also to link Ercheng to carry out emotional nostalgia.From Ercheng to Weicheng,Tian Er’s novels show a writing tendency of“being unable to escape from Ercheng”.

关 键 词：田耳 作家迁徙 佴城 情感怀乡 在地化 

分 类 号：I01[文学—文学理论]