荆楚汉绣画稿设计研究  

Study on the Design of Jingchu Han Embroidery Sketches

作　　者：张孟 陈海英 胡晓东 ZHANG Meng;CHEN Haiying;HU Xiaodong(School of Fashion,Wuhan Textile University,Wuhan 430073,China;Hubei Intangible Cultural Heritage Research Center,Wuhan 430073,China)

机构地区：[1]武汉纺织大学服装学院,武汉430073 [2]湖北省非物质文化遗产研究中心,武汉430073

出　　处：《纺织科技进展》2024年第7期24-28,共5页Progress in Textile Science & Technology

基　　金：教育部基地开放课题校级项目(HXJD2022B03)。

摘　　要：荆楚汉绣设计流程包括“一画,二绣,三修饰”的步骤,其中“一画”是指创作出适合各类绣品的赋彩、黑白画稿,即为“设计”。在汉绣画稿设计过程中,运用实物观察法来研究其图案在造型上表现出来的特点与构图布局规律,对画面构图形式以及布局安排进行创新。探索设计出与汉绣工艺相符的画稿需要具备的基本要素,并通过汉绣传承人画稿作品加以验证。总结出绣工需要从“画绣结合”的视角进行创作,“画绣合一”是汉绣艺术创作的根本方法,是得以活态传承与发展的关键要素。The design process of Jingchu Han embroidery includes the steps of“first painting,second embroidery and third decorations”,of which“first painting”refers to the creation of color,black and white drawings suitable for all kinds of embroidery,that is“design”.In the process of designing the Han embroidery draft,the physical observation method was used to study the characteristics of the pattern in the shape and the composition and layout rules,while the composition form and layout of the picture were innovated.Then the basic elements needed to design a drawing that matches the craftsmanship of Chinese embroidery were explored,while through the works of Chinese embroidery inheritors to vertify.It is concluded that embroiderers need to create from the perspective of“combination of painting and embroidery”.“Integration of painting and embroidery”is the fundamental method of Han embroidery art creation,also the key element to be inherited and developed in a living way.

关 键 词：汉绣绣稿 画稿设计 图案构成 画绣合一 

分 类 号：TS935.1[轻工技术与工程]