《诗》《易》风雨兴象研究  

A Study of the Image of Wind and Rain in The Book of Songs and The Book of Changes

作　　者：叶宁宁 YE Ningning(School of Literature and Journalism,Sichuan University,Chengdu Sichuan 610200,China)

机构地区：[1]四川大学文学与新闻学院,四川成都610200

出　　处：《乐山师范学院学报》2024年第7期42-51,共10页Journal of Leshan Normal University

摘　　要：《诗》和《易》是我国保存最为完整的两部典籍,《诗》之兴和《易》之象是拥有相同功能的艺术表征系统。风雨是人类最早感知到的自然现象,经常被运用到《诗》《易》的兴象手法中。《诗》《易》风雨兴象的文化寓意互相印证补充,并且呈现出兴象表征艺术在文学领域和哲学领域的不同特质。《诗》兴与《易》象互相引证,风雨兴象性隐喻的初始意义被不断延伸发展,衍生出性命思想和政教文化,展现了先民上下求索的开拓精神与天人合一的原始思维,孕育出风雨意象复杂多变的文化内涵。The Book of Songs and The Book of Changes are the most complete preservation of Chinese classics.Inspiration in The Book of Songs and symbol in The Book of Changes are art representations systems with the same functions.The wind and rain are the earliest natural phenomena that human beings perceive and are often applied to the technique of image in The Book of Songs and The Book of Changes.The cultural implication of wind and rain is complementary to each other,and presents different characteristics of symbolic art in literary and philosophical fields.Inspiration in The Book of Songs and symbol in The Book of Changes are mutually corroborative.The original meaning of the metaphorical nature of wind and rain is constantly extended and developed,deriving life philosophy and political and educational culture,showing the pioneering spirit of seeking truth from facts by our ancestors and the primitive thinking of heaven and man,and breeding the complex and changeable cultural connotation of the wind and rain images.

关 键 词：《诗》 《易》 兴象 

分 类 号：I206[文学—中国文学]