索莱尔斯中国文化观的三个阶段及其价值定位  

An Analysis of the Three Stages of Sollers'viewpoint of Chinese Culture and Its Position

作　　者：罗昔明[1] LUO Xi-ming(School of Liberal Arts,Jiangsu University,Zhenjiang 212013,China)

机构地区：[1]江苏大学文学院,江苏镇江212013

出　　处：《青海师范大学学报（社会科学版）》2024年第3期95-101,共7页Journal of Qinghai Normal University（Social Sciences）

基　　金：国家社科基金后期资助项目“索莱尔斯中国思想论评”(22FWWB009)。

摘　　要：法国文学的中国文化资源取径孕育了很多风格独特的法国经典作品。在受中国文化影响的当代法国作家中,索莱尔斯无疑是最具开拓意义的代表之一。索莱尔斯对中国文化的汲取,从古典中国到现代中国,从汉字到绘画,从道家到儒家,从间接认知到直接经验,都是一种积极的追求和选择。对索莱尔斯来说,中国文化不仅仅是一个作为异质他者的外在参照系,更是他积极吸纳非西方文化因素推动自身文本革命的重要路径,中国文化在其文学创造力及思想体系发展中具有重要的建构意义。厘清索莱尔斯中国文化观的三次发展与定位,可为检视其文本革命的“中国特色”及相应的文化逻辑提供更为深入的认知,这其中纵然可见西方视角下的各种曲解与误读,然而一定程度上也闪耀着睿智与创意之光。The absorption of Chinese cultural resources in French literature has given birth to many outstanding French works with unique styles.Among the contemporary French writers influenced by Chinese culture,Sollers is undoubtedly one of the most pioneering representatives.Sollers'drawing on Chinese culture,from classical China to modern China,from Chinese characters to painting,from Taoism to Confucianism,from indirect cognition to direct experience,is an active pursuit and choice.For Sollers,Chinese culture is not only an external"Otherness",but also an important way for him to actively absorb non-Western cultural factors to promote his own text revolution.And it has a more important constructive significance in his literary creativity and the ideal development.Clarifying the periodic characteristics and its position of Sollers'viewpoint of Chinese culture can provide a deeper understanding of the“Chinese characteristics”of his text revolution,from which various misinterpretations can be seen from the Western perspective,but it also shows a certain degree of wisdom and creativity.

关 键 词：索莱尔斯 《原样》中国文化 间距 

分 类 号：I565[文学—其他各国文学]