试论秦腔《我心归处》舞美的表演性  

An Experimental Discussion of the Scenography Performativity of Shaanxi Opera Where My Heart Goes

作　　者：邱雨桐 林子涵 QIU Yutong;LIN Zihan(National Academy of Chinese Theatre Arts,Beijing 100073,China)

机构地区：[1]中国戏曲学院,北京100073

出　　处：《演艺科技》2024年第1期82-85,共4页Entertainment Technology

摘　　要：针对秦腔《我心归处》舞台美术的表演设计,通过对舞美装置、景片、影像的动态视觉塑造,以及与灯光、多媒体、音响等舞美各元素的配合,将敦煌壁画转化为现代戏曲舞美的诗化意象,使舞台视觉效果最大化地与戏曲表演相融合,形成与时代同步的审美场。For the performance design of the scenography of Shaanxi OperaWhereMyHeartGoes,through the dynamic visual shaping of the scenography installations,sets and images,as well as the cooperation with various elements of the scenography such as lighting,multimedia,sound,and others,the Dunhuang mural is transformed into a poetic image of the modern traditional opera scenography,so as to maximize the visual effects of the stage and the fusion of traditional opera performances,and to form an aesthetic field that is in sync with the times.

关 键 词：秦腔《我心归处》 戏曲舞台美术 舞台美术表演设计 表演性 

分 类 号：J813[艺术—戏剧戏曲]