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作 者:程婷 巫柳兰 高梓涵 CHENG Ting;WU Liulan;GAO Zihan
机构地区:[1]桂林理工大学旅游与风景园林学院,桂林541000
出 处:《广东园林》2024年第2期87-93,共7页Guangdong Landscape Architecture
基 金:国家社会科学基金项目(编号:21XMZ080);广西科技计划项目(编号:桂科AD21220100);广西旅游产业研究院科研培育基金项目(编号:LYCYX2023-12)。
摘 要:《粤西游日记一》作为记录徐霞客游历的文字载体,蕴含着徐霞客与各类风景资源互动的审美体验与审美思想。梳理游记风景资源可以为桂林当代风景资源的开发与保护提供一定的支撑与借鉴。从风景园林视角出发,以《粤西游日记一》为资料来源,对徐霞客风景资源的审美对象、审美方式、审美情感和表达3个层次进行解读,梳理徐霞客在桂林游历的风景审美体验,归纳总结徐霞客风景审美思想为“山水本原,人文纵览”“追根求源,引证探险”“多感感知,动静结合”“天人合一,借景抒情”4方面。As a text carrier to record Xu Xiake's travels,the aesthetic experience and ideas contained in The First Diary of West Guangdong Journey reflect the interaction between Xu Xiake's and various landscape.Sorting out travelogue landscape resources can provide some support and reference for the development and protection of Guilin's contemporary landscape resources.From the perspective of landscape architecture,taking The First Diary of West Guangdong Journey as the research object,this paper interprets Xu Xiake's landscape aesthetic objects,aesthetic methods,aesthetic emotions and expressions,and clarifies Xu Xiake's aesthetic experience during his travels in Guilin.Finally,this paper summaries the four aspects of Xu Xiake's aesthetic thoughts:"original landscape,humanities overview","seeking the root cause and citing the expedition","multi-sensory perception,combination of movement and static,combination of dynamic and static","harmony of heaven and man,borrowing the scenery to be lyrical".
分 类 号:TU986[建筑科学—城市规划与设计]
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