城乡关系视角下豫剧《朝阳沟》新解  

A new interpretation of Chaoyanggou from the perspective of urban-rural relationships

作　　者：张乐林[1] 刘芊绵 ZHANG Lelin;LIU Qianmian(School of Chinese Language and Literature,Henan University,Kaifeng 475001,Henan,China)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《河南理工大学学报（社会科学版）》2024年第4期52-56,共5页Journal of Henan Polytechnic University:Social Sciences

基　　金：教育部人文社会科学规划基金项目(19YJA751024);河南兴文化工程文化研究专项项目(2023XWH060)。

摘　　要：城乡关系是中国现代化发展面临的一个核心问题。豫剧《朝阳沟》揭示了银环“上山下乡”的现实动因与艺术逻辑,其城乡关系书写既意蕴复杂又富有时代特征。《朝阳沟》审美化的乡村风景显现着农村对于城市的优越,其内涵超越了古典的田园文化旨趣,而有着风景政治学的当代价值指向。情感化的伦理叙事真实地呈现了一个响应“上山下乡”号召的城市知青如何受到乡民温暖而有力的关爱,得到日常身心的安顿。国家认同使银环把实现个体的人生价值自觉地融入国家发展的需要,决心当一个“农业科学家”。对农业现代化的想象是《朝阳沟》城乡关系书写浓墨重彩的篇章。The urban-rural relationship is a core issue in the development of Chinese path to modernization.The Yu opera Chaoyanggou reveals the realistic motivation and artistic logic of Yinhuan’s“going to work in the countryside or mountain areas”.Its writing of urban-rural relations has complex implications and characteristics of the times.The aesthetic rural scenery in Chaoyanggou shows the superiority of the countryside to the city.Its ideological connotation of its representation makes it transcend the classical pastoral cultural purport,and has the contemporary value orientation of landscape politics.The emotional ethical narrative truly shows how an urban educated youth who responds to the call of“going to work in the countryside or mountain areas”receives the warm and powerful care of the villagers and gets the daily physical and mental well-being.The politicized national identity makes Yinhuan integrate the realization of individual life value into the needs of national development consciously,and is determined to be an“agricultural scientist”.The imagination of agricultural modernization is a colorful chapter of the relationship between urban and rural areas in Chaoyanggou.

关 键 词：朝阳沟 豫剧 城乡关系 伦理叙事 国家认同 

分 类 号：I206.7[文学—中国文学]