“虚静之美”的传统审美在现代茶空间设计中的延续与发展  

The Continuation and Development ofthe Traditional Aesthetic of“Beauty of Void and Tranquility”in Modern Tea Space Design

作　　者：邓伊均[1] 王小康 何铭锋[1] 田飞[1] Deng Yijun;Wang Xiaokang;He Mingfeng;Tian Fei

机构地区：[1]湖南工业大学机械工程学院,湖南株洲412008 [2]湖南工业大学包装设计艺术学院,湖南株洲412008

出　　处：《家具与室内装饰》2024年第6期15-19,共5页Furniture & Interior Design

基　　金：2022年湖南省教育厅科学研究重点项目(22A0424);2024年教育部产学合作协同育人项目(231107606100141)。

摘　　要：通过对“虚静之美”的特征进行分析,探讨其在中国传统审美文化中的融合与体现。再从“虚静”的特征分析入手,剖析“虚静之美”在空间环境、材质、意境等方面的设计特征,从而找出中国传统审美文化与茶空间设计的契合之处,统一内在的文化意境与外在的空间表现形式,提出蕴藏深厚文化的现代茶空间设计理念,进而研究如何将“虚静之美”的传统审美在现代茶空间设计中进行延续与发展,使得现代茶空间的设计既能符合当代社会的审美趋势,又能凸显中华民族传统文化的精神内涵和情感韵味。This article analyzes the characteristics of"beauty of void and tranquility"and explores its integration and embodiment in traditional Chinese aesthetic culture.Starting from the analysis of the characteristics of"void and tranquility",this paper analyzes the design characteristics of"beauty of void and tranquility"in terms of spatial environment,material,artistic conception,etc.,in order to identify the fit between traditional Chinese aesthetic culture and tea space design,unify the internal cultural artistic conception with the external spatial expression form,propose the modern tea space design concept that contains a profound cultural background,and then study how to continue and develop the traditional aesthetic of"beauty of void and tranquility"in modern tea space design,so that the design of modern tea space can not only conform to the aesthetic trend of contemporary society,but also highlight the spiritual connotation and emotional charm of traditional Chinese culture.

关 键 词：虚静之美 现代茶空间 传统审美 

分 类 号：TS664.1[轻工技术与工程]