基于设计事理学的中印窗制窗景比较研究——以退思园和风之宫的女性之窗为例  

A Comparative Study of Window Scenery in China and India Based on Design Afair-Taking the Women's Window in the Retreat Garden and the Hawa Mahal as examples

作　　者：成方中 李永春[1] 曾伟[1] Cheng Fangzhong;Li Yongchun;Zeng Wei

机构地区：[1]东南大学艺术学院,江苏南京211189

出　　处：《家具与室内装饰》2024年第6期20-25,共6页Furniture & Interior Design

基　　金：国家社科基金艺术学项目“全球化视野下的江南地域文化景观设计策略研究”(18BG115)。

摘　　要：为比较探究设计事理学视角下中印窗制窗景设计的异同,从窗制窗景的背景概念出发,以中国苏州同里古镇和印度斋普尔风之宫的女性之窗为例展开可比性研究。文章采用设计事理学方法,对窗制窗景的形态进行研究,并将其纳入相应的建筑、空间和社会历史环境中,以便比较外部因素和内部因素。通过对设计事理逻辑的分析,讨论了造成中印窗制窗景设计异同的三个层面,从设计主体(人)、设计对象(事)、设计成果(物)等角度进行剖析,探讨了导致中印窗制窗景设计异同的原因,旨在加深对设计文化本质和规律的理解。This article compares and explores the similarities and differences between window and window view designs in China and India from the perspective of design rationale.Starting with the background concept of window and window view design,this study uses the women's windows of the ancient town of Tongli in Suzhou,China,and the Hawa Mahal in Jaipur,India,as examples to conduct comparative research.The article adopts the method of design rationale to study the form of window and window view design and applies it to the corresponding architectural,spatial,and social-historical environments to compare external and internal factors.Through the analysis of the logic of design rationale,the article discusses the three levels that cause the similarities and differences in window and window view designs between China and India.From the perspectives of the design subject(people),the design object(things),and the design outcome(objects),the study explores the reasons for the similarities and diferences,deepening the understanding of the essence of design culture.

关 键 词：设计事理学 中印 窗制窗景设计 女性 比较研究 

分 类 号：TS664.1[轻工技术与工程]