桃源漆艺木雕瑞兽模件化特征及设计应用研究  

Study on the Modularization Characteristics,Design and Application of Lacquer Wood Carving Animals in Taoyuan

作　　者：邓莉文[1] Deng Liwen

机构地区：[1]中南林业科技大学家居与艺术设计学院,湖南长沙410000

出　　处：《家具与室内装饰》2024年第6期34-38,共5页Furniture & Interior Design

基　　金：湖南省社科基金年度项目《湖湘传统漆艺在文化创意设计中的创造性转化与创新发展研究》阶段性成果(19YBA381)。

摘　　要：桃源漆艺木雕中瑞兽较多,但已有研究中未见缘由。通过文献查阅、比较研究发现“八蛮进宝”是其文化根源,在历史进程中瑞兽演化成为桃源典型的模件化装饰母题,其中具表情欢愉模件化造型特征的被普称为“欢兽”,以狮子、独角兽、麒麟为最。在提倡文化活态传承的背景下,以极具特色的欢兽头部为原型,以通用化、系列化、模块化“三化法”为设计原则,运用扁平化及解构设计方法,设计欢兽IP形象及其欢兽IP鬃毛、耳、五官构件,并通过材料转换、结构可变、功能可收纳的设计,实现用户自由创意欢兽造型的交互体验价值,以达到桃源漆艺木雕瑞兽文化在当代生活中活化的目的。There are more auspicious animals in Taoyuan lacquer wood carving,but the reason is not found in the research.Through a literature review and comparative study,it was found that"Ba Man Jin Bao"is its cultural root.In the course of history,auspicious beasts evolved into the typical modular decorative motif of Taoyuan.Among them,those with expressive and happy modular modeling characteristics are generally called"happy beasts,"with the lion,unicorn,and kirin being the most popular.Under the background of promoting cultural dynamic inheritance,the IP image of the animal and its mane,ears,and facial components are designed with flat and deconstructed design methods,taking the head of the animal as the prototype and the"three methods"of generalization,serialization,and modularization as the design principle.To realize the interactive value of users'free creative happy animal modeling in order to achieve the purpose of activating Taoyuan lacquer art wood carving auspicious beast culture in contemporarylife.

关 键 词：桃源工 欢兽 八蛮进宝 模件化 设计应用 

分 类 号：TS664.1[轻工技术与工程]