清代孙温绘全本《红楼梦》的“情本体”家具陈设研究  

A Study on the"Emotional Ontology"Furnishings in the Complete Edition of Dream of the Red Chamber by Sun Wen in the Qing Dynasty

作　　者：农先文 Nong Xianwen

机构地区：[1]广西艺术学院设计学院,广西南宁530007

出　　处：《家具与室内装饰》2024年第6期82-87,共6页Furniture & Interior Design

基　　金：国家社会科学基金艺术学西部项目:“清代孙温绘全本《红楼梦》的家具文化研究”(21EG215)。

摘　　要：清代孙温绘全本《红楼梦》的家具空间是“生情”“传情”“共情”的情感化的美好生活情境,反映曹雪芹的“情本体”思想。本文结合绘本图像和历史文献,阐释孙温绘本的“情本体”内涵,探索空间营造方法,分析当代家具作品对于“情”的表现,目的是构建“情本体”室内空间陈设的理论框架。该研究除了体现孙温绘本蕴含的家具文化价值外,还有利于在传统家具文化的传承和创新中,应对AI图像生成技术与文化价值的择取和生成、中外家具文化融合导致的文化的“断根性”问题等因素的冲击。The furniture space in the Complete Edition of Dream of the Red Chamber by Sun Wen in the Qing Dynasty is an emotional and beautiful living situation of"generating emotions,""conveying emotions,"and"empathy,"reflecting Cao Xueqin's"emotional ontology"thinking.This article combines picture book images and historical documents to explain the connotation of"emotional ontology"in Sun Wen's picture books,explore space creation methods,and analyze the expression of"emotion"in contemporary furniture works,with the aim of constructing a theoretical framework for"emotional ontology"interior space furnishings.This study not only reflects the cultural value of furniture contained in Sun Wen's picture books but also helps to cope with the impact of factors such as the selection and generation of Al image generation technology and cultural value and the cultural"rootlessness"caused by the integration of Chinese and foreign furniture cultures.

关 键 词：清代孙温绘全本《红楼梦》 情本体 家具陈设 

分 类 号：TS664.1[轻工技术与工程]