论唐宋词释放型的情感表达  

On the Releasing Type of Emotional Expression in Tang and Song Ci Poems

作　　者：刘天禾 Liu Tianhe

机构地区：[1]南洋理工大学中文系,新加坡639798

出　　处：《南京师范大学文学院学报》2024年第2期94-105,共12页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社科基金项目“中国历代诗话中的文学解释学理论话语与阐释实践的史料辑录、类编与研究”(20BZW014)。

摘　　要：在唐宋词情感结构的横向维度中,主体的能动意识与情感本体的潜意识共同决定着情感动向。若词人对情感脉络的前行之势不加约束,而是任其肆意消泻,便是释放型的情感表达,多呈现出单向无止境的样态和延展性组合的特征。主要可从两条路径对这种表达方式加以解构。从内容上看,可将情感分为豪情与幽情,二者各具群体共通感与个体化思绪的蕴意指向。从形式上看,可将情感的释放形态分为倾泻式的明潮和渗透式的暗涌,二者的划分标准同意脉流速和心理欲力相关;明潮讲求意脉的直观彰露,暗涌意指创作主体往往选择在场或不在场媒介来对情感表达略作荫蔽。词作内容与形式的结合,令切分后的这四重界域交汇共融,大致呈现出四种组合方式。In the horizontal dimension of the emotional structure of Tang and Song Ci poems,the dynamic consciousness and the subconsciousness of the emotional subject jointly determine the emotional trend.If the poet does not restrict the forward trend of the emotional vein,but lets it pour wantonly,it is the release type of emotional expression,which mostly shows the characteristics of one-way endless pattern and malleable combination.This expression can be deconstructed mainly from two ways.From the content point of view,emotion can be divided into pride and secret feeling,both of which have the common sense of the group and the connotation of individual thoughts.From the formal point of view,the emotional release form can be divided into pouring type of bright tide and penetrating type of dark surge,the two division criteria is related to emotion pulse velocity and psychological desire;The bright tide emphasizes the direct manifestation of the emotion pulse,while the dark surge means that the creative subject often chooses the medium of presence or absence to slightly shade the emotional expression.The combination of the content and the form of the Ci poems integrate and merge the four boundaries,showing roughly four combination ways.

关 键 词：唐宋词 释放型 情感表达 豪情 幽情 

分 类 号：I207.233[文学—中国文学]