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作 者:邢建昌[1,2] Xing Jianchang
机构地区:[1]河北师范大学文学院,石家庄050024 [2]河北师范大学美学与艺术研究中心,石家庄050024
出 处:《中国文学批评》2024年第3期142-151,191,192,共12页Chinese Journal of Literary Criticism
基 金:国家社会科学基金一般项目“近40年文学理论知识生成机制的反思性研究与文献整理”(19BZW002)阶段性成果。
摘 要:文学理论是关于文学的理论,文学的在场是文学理论知识生产的应有之义。一种理论成为文学的理论,需要经过文学经验、文学事实和文学实践的检验。好的理论是有文学性的,文学性不是修辞意义上的,而是发现理论问题的视角和文本分析的工具。阐释不仅是实现文学意义的手段,也是升华文学理论知识的基本途径。以理解为核心、为目标、为视域的文学阐释学,是通向文学理论知识生产的合法性途径。阐释中的概念演绎、命题表达和工具使用,最终都会化成文学理论的知识和知识体系。Literary theory,as a discourse on literature,necessitates the presence of literature itself in the production of its theoretical knowledge.A good theory is literary,not merely in a rhetorical sense,but in that it serves as both a perspective for identifying theoretical issues and as a tool for textual analysis.Interpretation is not only a means to realize literary meaning but also a fundamental pathway to elevate theoretical knowledge of literature.The impartiality and authority of interpretation are less determined by the text's structure and more by the effectiveness of its interpretation.The effectiveness of interpretation is demonstrated by the alignment between perspective and object.The propriety of literary interpretation is not the ultimate goal of interpretation;rather,it involves engaging with the polyphony of literary interpretation through empathetic understanding.
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