成仿吾与现代文学批评  

Cheng Fangwu and Modern Literary Criticism

作　　者：李新亮 LI Xin-liang(School of Literature,Yancheng Teachers University,Yancheng,Jiangsu 224007,China)

机构地区：[1]盐城师范学院文学院,江苏盐城224007

出　　处：《河北民族师范学院学报》2024年第3期68-74,共7页Journal of Hebei Normal University For Nationalities

基　　金：2022年度江苏省哲学社会科学重点项目“五四作家批评与中国现代文学批评体系的建立研究”(22ZWA002)。

摘　　要：成仿吾是对建构现代文学批评体系有着鲜明自觉意识的批评家。在批评理论上,基于五四新文学从古典文学向现代文学转型的现实,他对文学批评的本质、任务、功能、范围、标准与范式等方面进行了诸多理论探索;在批评实践上,他秉持求疵的文学批评路径,彰显了主体性、否定性与驳论性的批评特征。虽然成仿吾的批评理论与批评实践之间存在着许多矛盾冲突,但是其对中国现代文学批评体系的生成、发展与建立做出了不可磨灭的贡献。Cheng Fangwu is a critic who has a clear consciousness of constructing the system of modern literary criticism.In the theory of criticism,based on the reality of the transformation of the May Fourth New Literature from classical literature to modern literature,he made a lot of theoretical exploration of the essence,task,function,scope,standard and paradigm of literary criticism.In the practice of criticism,he adheres to the path of literary criticism to seek faults,and reveals the distinct characteristics of subjectivity,negation and refutation.Although there are many conflicts between Cheng Fangwu's critical theory and critical practice,he has made an indelible contribution to the formation,development and establishment of the system of modern Chinese literary criticism.

关 键 词：成仿吾 现代文学批评 批评理论 批评实践 

分 类 号：I206.6[文学—中国文学]