荒诞与孤独:《一个夏日》的后现代性  

Absurdity and Loneliness:The Postmodernity of A Summer’s Day

作　　者：田军 TIAN Jun(The College of Literature Tianjin Normal University Tianjin,300387,China;Tianjin University of Commerce Boustead College Tianjin,300384,China)

机构地区：[1]天津师范大学文学院,天津300387 [2]天津商业大学宝德学院,天津300384

出　　处：《河北民族师范学院学报》2024年第3期81-87,共7页Journal of Hebei Normal University For Nationalities

摘　　要：约恩·福瑟以独特的戏剧语言和节奏创造了一个独属于他的世界,“孤寂”“荒诞”“简约”在他的剧作中始终是重要的元素。人物语言虽寥寥数语,对话的空间却是如此丰盈。《一个夏日》便是此种风格的延续,作为被搬演次数较多的剧目,介于“存在主义”与“荒诞派”之间,凭借“福瑟式”碎片化手法,建构过去与现在、虚拟与现实,揭示了“人们”内心“孤岛”里最深层的情感冲突和困扰。Jon Fosse created a unique world of his own with unique dramatic language and rhythm.“Solitude”,“absurdity”and“simplicity”are always important elements in Fosse’s plays.Although the language of the characters is few,the space of dialogue is so abundant.A Summer’s Day is a continuation of this style.As a play that has been rehearsed many times,A Summer is between‘Existentialism’and‘The Absurd’.It constructs the past and the present,the virtual and the reality by means of fragmentation of Fosse-style,and reveals the deepest emotional conflict and distress in people’s inner island.

关 键 词：约恩·福瑟 《一个夏日》 孤独 荒诞 情境建构 

分 类 号：I533.3[文学—其他各国文学]