近代侨乡建筑装饰审美意识初探——以广东五邑侨乡为例  

A Preliminary Study of the Aesthetic Consciousness Reflected in Architectural Decorations in Modern Times

作　　者：温为才[1] 伍晓茵 张国雄[2] WEN Wei-Cai;WU Xiao-yin;ZHANG Guo-xiong

机构地区：[1]五邑大学艺术与设计学院,广东江门529020 [2]五邑大学广东侨乡文化研究院,广东江门529020

出　　处：《五邑大学学报（社会科学版）》2024年第3期1-6,92,共7页Journal of Wuyi University(Social Sciences Edition)

基　　金：广东省哲学社会科学规划2023年度一般项目“清代至民国五邑乡村祠堂建筑纹样整理与审美变迁研究”(批准号:GD23CYS12);广东省高校线下一流本科课程“文化创意产品开发”(批准号:粤教高函[2023]33号)之阶段性成果。

摘　　要：清同治至民国时期中国侨乡建筑装饰逐渐形成独特的乡村审美意识,它是华侨和侨乡民众接触西方文化后在审美层面主动作出的回应。基于五邑侨乡田野调查获得的装饰素材,结合民众生活方式,从审美趣味、审美题材、审美形式等方面分析,提出洋气美、工业美、杂糅美三种极具侨乡特色的近代审美意识。研究侨乡审美意识可丰富岭南乡村美学内涵,亦对构建以农民为审美主体的当代侨乡乡村美学有重要意义。From the Tongzhi reign period of the Qing Dynasty to the Republic of China,architectural decorations in the homeland of overseas Chinese gradually developed a unique rural aesthetic consciousness,as an active response of overseas Chinese to exposure to the Western culture.Based on decorative materials obtained from field surveys in Wuyi,combined with the local people's life style,this article analyzes the local aesthetic tastes,aesthetic themes,and aesthetic forms,and proposes three kinds of aesthetic consciousness:exotic beauty,industrial beauty and blended beauty.The aesthetic consciousness has not only enriched the connotation of Lingnan rural aesthetics,but is also of great significance to the construction of contemporary qiaoxiang rural aesthetics with rural people as aesthetic subjects.

关 键 词：建筑装饰 审美意识 乡村美学 五邑侨乡 

分 类 号：TU-8[艺术—艺术设计]