物的进化——可穿戴艺术发展中的技术哲学  

The Evolution of Objects:Technical Philosophy in the Development of Wearable Art

作　　者：马鸿锦 Ma Hongin(Beiing Institute of Fashion Technology,Bejing 100029,China)

机构地区：[1]北京服装学院,北京100029

出　　处：《艺术与设计（理论版）》2024年第8期95-97,共3页Art and Design

摘　　要：文章从“物”的进化的角度,探索可穿戴物如何超越其功能性,成为艺术表达的媒介。文章分为三部分,第一部分从海德格尔对于物的哲学理论出发,分析了可穿戴物如何从工具转变为具有独立意义的艺术品;第二部分探讨了20世纪60年代以来电子设备和新媒介对可穿戴艺术的影响;第三部分从赛博格理论分析了艺术创作中科技、物体与人体深度融合,并展望了新一轮科技下物在塑造现代身份和文化中的角色。从技术哲学的角度出发,以“物”的进化为线索,勾勒可穿戴艺术的产生、发展和时代特点,并为可穿戴艺术作为一种典型的当代艺术创作提供理论支撑。This paper explores how wearable objects transcend their functionality to become mediums of artistic expression from the perspective of the evolution of"objects".The paper is divided into three parts:the first part analyzes how wearable objects transform from tools into artworks with independent significance,based on Heidegger's philosophical theory of things;the second part discusses the impact of electronic devices and new media on wearable art since the 1960s;the third part examines the deep integration of technology,objects,and the human body in artistic creation from the perspective of cyborg theory and looks ahead to the role of things in shaping modern identity and culture in the context of a new wave of technology.From the standpoint of the philosophy of technology,this paper outlines the emergence,development,and characteristics of wearable art by tracing the evolution of objects and provides theoretical support for wearable art as a form of contemporary art creation.

关 键 词：可穿戴艺术 海德格尔 赛博格理论 技术哲学 

分 类 号：J0[艺术—艺术理论]