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作 者:张军[1] 张逸峰 周颖 Zhang Jun;Zhang Yifeng;Zhou Ying(School of Art&Design,Yancheng Institute of Technology,Yancheng 224061,China;Central Academy of Fine Arts,Bejing 100105,China)
机构地区:[1]江苏盐城工学院设计艺术学院,江苏盐城224061 [2]中央美术学院,北京100105
出 处:《艺术与设计(理论版)》2024年第8期114-116,共3页Art and Design
基 金:2022年国家社科基金艺术学项目“宋代设计美学研究”阶段性成果,项目编号(22BG140);2024年盐城市社科基金项目:地方优秀传统文化赋能乡村振兴建设研究(项目编号:24skC121)阶段性成果。
摘 要:宋代特殊的政治与历史文化开创了宋代陶瓷特有的审美取向与美学特征。与前朝艺术的设色艳丽与开放相比,形成了一种新的审美范式。文章结合文化思潮通过对宋代陶瓷的造型之仿生意蕴、形制典范、造型典雅、仿古质朴四个方面;装饰之题材多样、技法创新纯熟、书画意境三个方面以及釉饰之釉本质与开片之缺陷两方面进行综合分析,并以案例辅助说明进行审美解读。进一步分析了宋代瓷器蕴含的美学特征与理念对当下设计指导的价值作用和指导意义。The unique political and historical culture of the Song Dynasty shaped a distinct aesthetic orientation and artistic characteristics for Song ceramics.In contrast to the vibrant and open artistic styles of previous dynasties,this period saw the emergence of a new aesthetic paradigm.The methodology of this work is based on a comprehensive analysis of three aspects of Song Dynasty ceramics,combined with case studies to interpret their aesthetic conception.The first aspect is form,which includes bionic thinking,special structures,elegance,and archaism.The second aspect is technical decoration,encompassing various themes,skilful creation,and the artistic conception of calligraphy and painting.The third aspect is glaze decoration,focusing on the material itself and crackle patterns.This paper further analyzes the value and guiding significance of the aesthetic features and concepts of Song Dynasty porcelain for contemporary design guidance.
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