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作 者:章明 ZHANG Ming
机构地区:[1]不详
出 处:《风景园林》2024年第8期8-9,共2页Landscape Architecture
摘 要:风景园林的理论研究和设计实践似两条平行线,遥相对望却难以互相支持,相辅相成,原因主要有二。其一,设计文化与科学文化、人文文化并举为人类的3类知识范畴,三者在研究对象、方法体系和价值观上具有显著差异,本质上注定了设计学科的研究无法完全套用科学或人文类研究惯用的范式与方法。其二,带有主观与艺术特征的设计实践,成果很难直接转化为学术界广泛认可的研究成果,这就导致风景园林领域的学术工作不得不将自身纳入其他学术领域,并主动适应其他学科的内容、方法和研究路径。The theoretical research on landscape architecture and the design practice of landscape architecture may seem like two parallel lines,which are looking at each other from the distance but find it difficult to support or complement the other side mutually.There are two main reasons:Firstly,design culture,scientific culture,and humanistic culture are three parallel categories of human knowledge with significant differences in terms of research object,methodology,and values.In essence,it is destined that the paradigms and methods commonly used in scientific or humanities studies can not be completely applied to do research in the field of design.Secondly,since design practice is subjective and artistic,it is difficult to directly transform the design outcomes into widely recognized achievements in academic circles.Therefore,the academic work of landscape architecture has to incorporate itself into other fields and adapt to the content,methods,and research methodology of other disciplines proactively.The results of such research will mostly only include the edges of the discipline and have weak correlation between the actual design practices.
关 键 词:人文文化 风景园林 知识范畴 显著差异 设计学科 直接转化 研究成果 主动适应
分 类 号:TU986[建筑科学—城市规划与设计]
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