孙以强《春舞》演奏技术及其新疆意蕴初探  

A Preliminary Study on the Performance Techniques and Xinjiang Implications of Sun Yiqiang's Spring Dance

作　　者：任天宇 REN Tianyu(School of Music,Northwest Normal University,Lanzhou 730000,China)

机构地区：[1]西北师范大学音乐学院,甘肃兰州730000

出　　处：《赤峰学院学报（哲学社会科学版）》2024年第7期58-62,共5页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

摘　　要：在当前的学术研究领域中,钢琴独奏曲《春舞》已经受到了广泛的关注。众多学者从多个维度对这部作品进行了深入的剖析和解读。通过和声学与曲式学的分析方法,结合维吾尔族民族民间音乐的独特风格,学者们对作曲家孙以强在《春舞》中的创作风格和特点进行了系统的论证。本研究旨在借助研究者自身的演奏经验和技巧,对新疆钢琴作品中蕴含的文化现象进行探索。In the current academic research field,the piano solo Spring Dance has received extensive attention.Numerous scholars have conducted in-depth analysis and interpretation of this work from multiple dimensions.Through the analytical methods of harmony and musical form,combined with the unique style of Uyghur ethnic and folk music,scholars have systematically demonstrated the creative style and characteristics of the composer Sun Yiqiang in Spring Dance.This research aims to explore the cultural phenomena contained in Xinjiang piano works by means of the researcher's own playing experience and skills.

关 键 词：《春舞》 钢琴技巧 民族民间音乐 新疆意蕴 

分 类 号：J624.1[艺术—音乐]