新现代主义小说《布里斯班》  

The Neo-Modernist Novel Brisbane

作　　者：刘淼文 Liu Miaowen(School of Russian Studies,Beijing Foreign Studies University,Beijing,China)

机构地区：[1]北京外国语大学俄语学院,北京100089

出　　处：《外国文学》2024年第4期60-71,共12页Foreign Literature

基　　金：中央高校基本科研业务费专项资金(2023JJ036)。

摘　　要：《布里斯班》是一部非常独特的新现代主义小说,也是沃多拉兹金世界观及俄罗斯现代主义文学传统的独特呈现。作者使用普遍化原则构建了一部别具一格的音乐家传记。其一,音乐主题选择体现了其普遍化创作原则与白银时代音乐精神,且作者在文本形式结构上使用了新复调叙事手法。其二,《布里斯班》展现了作者独特的历史观以及建立在普遍化原则基础上的历史叙事。其三,小说在时间观念上展现了永恒世界对瞬时世界的挤压:童年被纳入永恒世界中,未来维度则被从瞬时世界中剔除,凸显了作者的反乌托邦世界观。Brisbane is a unique neo-modernist novel that exemplifies Vodolazkin's worldview and the Russian modernist literary tradition.By employing the principle of universalization,the author constructs the biography of a musician.Firstly,the inclusion of musical thinking reflects the principle of universalization and the spirit of Silver Age music,with the author utilizing new-polyphonic narrative techniques in the novel's structure.Secondly,Brisbane presents the author's unique perspective on history and historical narrative based on the principle of universalization.Thirdly,the novel reveals the tension between the eternal world and the instantaneous world in its concept of time:childhood is included in the eternal world,while the future is excluded from the instantaneous world,effectively emphasizing the author's anti-utopian worldview.

关 键 词：沃多拉兹金 《布里斯班》 音乐 历史观 时间观 

分 类 号：I512[文学—其他各国文学]