文化技术批判:凯勒的小说《被滥用的情书》中的书写问题  

The Criticism of Cultural Techniques:The Problem of Writing in Gottfried Keller's Novella Die miβbrauchten Liebesbriefe

作　　者：王炳钧[1] Wang Bingjun(Research Institute of Foreign Literatu Foreign Studies University,Beijing,China)

机构地区：[1]北京外国语大学外国文学研究所,北京100089

出　　处：《外国文学》2024年第4期120-133,共14页Foreign Literature

摘　　要：随着生活的文字化进程、新人文主义修养理念的发展、教育的普及,阅读、书写在19世纪中期成为主导性文化技术,与资本的经营运作共同构成了市民社会的重要基础,产生于18世纪的审美自治理念逐步脱离“模仿再现”模式,凸显出文学书写的自我指涉问题。19世纪瑞士作家凯勒的小说《被滥用的情书》围绕情书的时髦生产、抄写复制,以讽刺的笔调展演了市民个体在身体、情感、媒介、文化规则交往关联中的纠缠,以反讽的方式表现了修养、书写与实际生活的脱节与和解。With the process of literalization,the popularization of education,as well as the development of the conception of Bildung during the New Humanism,reading and writing became the dominant cultural techniques in the mid-nineteenth century.In collaboration with the capital operation,they laid a solid foundation for the bourgeois society.The concept of aesthetic autonomy,originated in the eighteenth century,gradually departed from the inherited models of imitation and representation of traditional literature.Meanwhile,the issue of self-referentiality of literature was also highlighted in this process.Revolving around the plots of transcription and reproduction of the love letters,Keller's novella Die miβbrauchten Liebesbriefe manages to satirize the complex situation of bourgeois individual between body,emotion,media and conventions of cultural communication,thereby caricaturing and reflecting on the contradiction and compromise between Bildung,writing and the real life.

关 键 词：书写 文字化 修养 文化技术 自我指涉 凯勒 

分 类 号：I522[文学—其他各国文学]