从“甲羌”在“羌姆”中的展演看汉藏往来的记忆共叙--以康区白玉寺“莲师羌姆”为例  

Recollection of Memory in the Performance of“rgya‘cham”and“cham”--Taking“gu ru’i‘cham”of Palyul Monastery in Kham as a Case Study

作　　者：卢茜 Lu Xi

机构地区：[1]青海民族大学

出　　处：《西藏艺术研究》2024年第2期11-22,共12页Tibetan Art Studies

摘　　要：白玉寺莲师“羌姆”凭借对“甲羌”的周期性展演,完善了自身宣扬佛理,整合僧俗,聚揽信众的宗教仪式功能,而围绕着“甲羌”的来源,在不同身份的人群中形成了不同的历史记忆。文章主要从铸牢中华民族共同体意识与中华优秀传统文化的视角,通过对文成公主引入说、汉藏通商说以及皇帝开许说等多重记忆生境的考证,挖掘其背后所隐喻的文化信息。特别是从民族交往交流交融的角度,借助当下时空与历史情境的对话,复现了藏边社会民族之间频繁的经济往来、族际互通及政治秩序互构的发展样态。凸显了在共筑中华民族共同体意识的前提下,展演“甲羌”所发挥的培育民众共融情感,强化族群文化认同,构筑多元一体文化格局的重要作用。Through the periodic performance of the“rgya‘cham”in“gu ru’i‘cham,”Palyul Monastery promoted the Buddhist philosophy,integrated the monks with laypeople,served the religious ceremonial functions of attracting the believers,and formed different historical memories among people of different identities regarding the origin of“rgya‘cham.”This article centers around the Chinese Nation's community consciousness and unity and perspectives of Chinese traditional culture,and through sayings such as Princess Wencheng introduced the dance,the Sino-Tibetan trade,and the emperor’s permission,to examine the metaphorical cultural information behind them.In particular,through the perspectives of inter-ethnic communication and integration,this article tries to recreate the conversations back in a different time and space,reproducing the frequent economic exchanges between different ethnic groups and the mutual constitution of political order.While demonstrating the Chinese Nation's community consciousness and unity,performing“rgya‘cham”helps to cultivate emotional connections among the people,strengthen the ethnic and cultural identity,and constitute the importance of the pluralistic-unitary configuration of the Chinese nation.

关 键 词：甲羌 羌姆 康区 汉藏交流 文化记忆 

分 类 号：J705[艺术—舞蹈]