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作 者:于宛冬[1] 胡骁[1] Yu Wandong;Hu Xiao(Dance Academy,Xinghai Conservatory of Music)
机构地区:[1]星海音乐学院舞蹈学院
出 处:《中国舞蹈学》2024年第1期198-207,360,361,共12页CHOREOLOGY IN CHINA
基 金:2022年度普通高校特色创新项目“岭南红色音乐舞蹈文化资源的教育转化研究”(项目编号:2022WTSCX047)阶段性研究成果;2020年度国家社科基金艺术学一般项目“南岭民族走廊舞蹈文化研究”(项目编号:20BE072)系列研究成果。
摘 要:第十三届中国舞蹈“荷花奖”当代舞组别赛事传递出中国青年一代当代舞创作主体对中国传统文艺内涵的个性化解读深度与艺术性表达强度。他们创造性地精筛、提炼、运用中国传统文化元素,以现代化的艺术实践方式实现与多元文艺样态之间的互鉴融合,大胆探求当代舞在中国文化体系中的存在方式与表达路径,并通过诉诸“中国表达”,着力营建表现彰显中国自信,传递中国力量的国内外的文艺生态环境,体现出对本民族文化艺术的寻根自觉、文化关注和深切的文化认同。The contemporary dance category of the 13th Chinese Dance Lotus Prize conveys the depth of personalised interpretation and the intensity of artistic expression of the young generation of Chinese contemporary dance creators on the connotations of traditional Chinese literature and art.They creatively sieve,refine and apply traditional Chinese cultural elements,realise mutual understanding and fusion with diversified literary and artistic forms by means of modernised artistic practice,boldly explore the mode of existence and path of expression of contemporary dance in China's cultural system,and strive to build a literary and artistic ecosystem at home and abroad that manifests Chinese self-confidence and transmits the power of China by resorting to"Chinese expression".By resorting to"Chinese expression",it endeavours to establish a cultural and artistic ecological environment at home and abroad that manifests China's confidence and conveys its strength,and reflects its consciousness of its roots,cultural concern and deep cultural identity.
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