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作 者:李天翼[1] Li Tianyi(Chinese National Academy of Arts)
机构地区:[1]中国艺术研究院
出 处:《中国舞蹈学》2024年第1期275-291,368,369,共19页CHOREOLOGY IN CHINA
摘 要:“戏剧性”是戏剧艺术中的一个核心概念,但对于音乐、美术、舞蹈等一般艺术而言也具有重要意义,无论是艺术创作、艺术欣赏还是艺术批评,“戏剧性”都是一个回避不了的话题。在世界戏剧史上,那些堪称经典的戏剧作品,无一不具有极强的戏剧性。因此,使作品具备较强的戏剧性,是戏剧创作人员所共同追求的目标之一,对舞剧艺术来说也同样如此。在舞剧艺术的发展进程中,每一次艺术理念的突破和创作手法的创新,都是对舞剧艺术“戏剧性”空间的进一步拓展。戏剧性不仅使舞剧的故事情节更引人入胜,也在提升着舞剧的舞台艺术呈现效果。舞蹈艺术虽然有自成体系的审美原则,但戏剧性的加入,赋予了舞蹈更广阔的艺术表现空间和更深入的艺术视角。"Theatricality"is not only a key concept in drama art,but also of significance for general arts such as music,art,dance,etc.Whether it is art creation,art appreciation or art criticism,"theatricality"plays an important role.In the history of world drama art,"theatricality"is an essential attribute of all classic dramatic works.Therefore,the"theatricality"is the common goal of all directors,including dance drama directors.In the process of the development of dance drama art,every breakthrough in artistic concept and innovation in creative techniques are the further expansion of the"theatricality"space of dance drama art."Theatricality"not only makes the story of the dance drama more fascinating,but also enhances the stage art presentation effect of the dance drama.Although the art of dance has its own system of aesthetic principles,the addition of"theatricality"gives dance a broader artistic expression space and a deeper artistic perspective.
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