《宣和画谱》刊本补考  

A Supplementary Examination of the Editions of Xuanhe Painting Manual

作　　者：田程雨 郑凌峰 TIAN Chengyu;ZHENG Lingfeng

机构地区：[1]上海书画出版社 [2]复旦大学古籍整理研究所

出　　处：《印刷文化（中英文）》2024年第2期86-99,共14页Print Culture

摘　　要：学界一般认为《宣和画谱》二十卷现存最早版本为元大德年间延陵吴文贵刊本,美国国会图书馆、中国台北故宫博物院各藏一部,此说不确。张允亮、昌彼得均仅见故宫藏本,王重民仅见美国国会图书馆藏本,王重民、昌彼得各取所见之本与明嘉靖间杨慎序刊本相较,所得结论颇有异同。傅增湘曾寓目此二种不同刊本,指出卷中墨钉有异,此实为认识两本刊刻先后及其与明嘉靖间杨慎序刊本版本关系的关键。本文的研究成果不仅可为《宣和画谱》的版本研究提供新的视角,也为古籍版本学的深入探讨提供重要的参考。It is generally believed in the academia that the earliest edition of the 20-volume Xuanhe Painting Manual that survived till today is the one printed by Wu Wengui during the Dade Era of the Yuan Dynasty,with one copy in the collection of the US Library of Congress and one in the collection of the Palace Museum in Taipei.However,this can be mistaken.Zhang Yunliang and Chang Bide saw only the copy in Taipei,while Wang zhongmin only saw the one in the Library of Congress.Wang and Chang respectively compared the copy they saw with the edition prefaced by Yang Shen which was printed during Emperor Jiajing's reign in the Ming Dynasty,and arrived at somewhat different conclusions.Fu Zengxiang had the opportunity to see both of the two and pointed out the differences in the ink stamps in these two copies,which was key to detemining when the two copies were printed and their relationship with the Jiajing edition.By elaborating on this point,this paper offers a new perspective for the study of different editions of Xuanhe Painting Manual and sheds light on further bibliographic studies of other ancient books.

关 键 词：《宣和画谱》 明刻本 傅增湘 墨钉 

分 类 号：G256[文化科学—图书馆学] K247[历史地理—历史学]