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作 者:黎林 LI Lin
机构地区:[1]南京大学 [2]华侨大学外国语学院,福建泉州362021 [3]华侨大学福建省高校人文社科基地“中外文学与翻译研究中心”,福建泉州362021
出 处:《华侨大学学报(哲学社会科学版)》2024年第4期23-32,共10页Journal of Huaqiao University(Philosophy & Social Sciences)
摘 要:迄今为止,对李泽厚的美学思想的阐释存在两种偏差。一种观点以国内学者为主,过于强调李泽厚美学理论对马克思主义的发展、对西方美学的借鉴,忽视了对中国美学传统思想的汲取。而另一种观点多见于国外,重视李泽厚美学思想对儒家思想的吸收,却忽略了其思想中蕴含的道家渊源。以《美学四讲》为中心,可以发现李泽厚美学理论中西方思想和儒道精神互补融汇的特征,其美学理论遵循甚至超越了“西体中用”的原则,在借鉴西方思想、研究路径的基础上,结合中国的儒道文化,走出了一条具有中国特色的理论构建之路。这种基于民族文化自信和开放包容的心态,以跨文化视域创造性地利用本土文化资源,创立自己学说的实践为今天国内的美学发展指明前行的方向。So far,there are two deviations in the interpretation of Li Zehou’s aesthetic ideas.One view mainly held by domestic scholars overemphasizes Li Zehou’s development of aesthetic theory on Marxism and his theory’s dependence on Western aesthetics for reference,while neglecting its absorption of traditional Chinese aesthetic ideas.However,another view is dominant abroad,which emphasizes the absorption of Confucianism in Li Zehou’s aesthetic thoughts,but overlooks the Taoist origins contained in his thoughts.Centering on the Four Lectures on Aesthetics,the study reveals that Li Zehou’s aesthetic theory is characterized by the complementary fusion of Western ideas and the essence of Confucianism and Taoism.His aesthetic theory follows or even goes beyond the principle of“the integration of Western practices and ideas into Chinese reality”,and on the basis of borrowing Western ideas and absorbing Chinese thoughts of Confucianism and Taoism,he has embarked on a path of theoretical construction with Chinese characteristics.Well-grounded on national cultural confidence and an open and inclusive mentality,such practice of establishing China’s own theories by creatively utilizing national cultural resources from a cross-cultural perspective still points the way forward for the development of aesthetics in China today.
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