中国文论关键词“体”的文字学考察  

A Philological Investigation of the Keyword“Ti”in Chinese Literary Theory

作　　者：孙盼盼 SUN Panpan

机构地区：[1]扬州大学文学院

出　　处：《西南交通大学学报（社会科学版）》2024年第4期121-134,共14页Journal of Southwest Jiaotong University(Social Sciences)

基　　金：国家社科基金青年项目“‘神’与中国文论的生命精神研究”(20CZW001)。

摘　　要：作为中国文论的关键词,“体”经历了从显性到隐性、从具象到抽象的蜕变,不仅是对生命存在的整体通观,更涉及到复杂的汉字文化渊源和表义模式,尤其在文论发生期规定了文体思想的视野和方向:分析“体”与“豊”的古文字字形,发现有“骨豊相依”“月豊相傍”“身豊相从”“亻豊相合”及“由豊而立”五种依据;借助“豊”及其文化记忆的变迁进行考察,可探得“礼”之话语权力与“体”之等级秩序的意义来源;将“体”置入“人、身、物”的框架中,可再现其从文化观念到文论观念的转换过程。从形、声、义层面推求“体”的本和根,有助于重审“文体”与礼仪、政治、制度等主题之间的关联,考察“辞尚体要”“文本于经”“文各有体”“体制为先”等文论命题的语义根源。It is not only a holistic view of the existence of life,but also involves the complex cultural origins and semantic patterns of Chinese characters,and defines the vision and direction of stylistic thoughts in the early period.Through the analysis of the early character pattern of“Ti”(体)and“li”(豊),we can reveal there are five patterns of“bone and li”,“meat and li”,“body and li”,“people and li”and“li standalone as a word”.With the help of the phonological symbol“li”and the change of its cultural memory,we can find the meaning source of the discourse power of rite and the hierarchical order of“Ti”.Putting“Ti”into the theoretical framework of“people-body-object”,we can present the transformation process of the keyword from a cultural concept to a literary theory concept.To deduce the original word and root of“Ti”from the aspect of form,sound and meaning,it is helpful to re-examine the relationship between stylistic and the themes of etiquette,politics,and system,and then to investigate the semantic roots of Chinese literary theory propositions such as succinctness is valued in“writing should emphasize the essence and be concise”,“texts should be based on the classics”,“each type of writing has its own style”and“form and structure should take precedence”.

关 键 词：中国文论 体 文化记忆 礼仪规训 

分 类 号：H12[语言文字—汉语] H13[哲学宗教—中国哲学] B22