《法兰西组曲》中的身份危机与超越  

Identity Crisis and Transcendence in Suite Francaise

作　　者：杨维春[1] 胡明明 YANG Wei-chun;HU Ming-ming(School of Foreign Languages,Xiangtan University,Xiangtan,Hunan 411105,China)

机构地区：[1]湘潭大学外国语学院,湖南湘潭411105

出　　处：《湘潭大学学报（哲学社会科学版）》2024年第4期137-142,共6页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：国家社科基金青年项目“战后法国战争小说研究”(16CWW024)。

摘　　要：法国犹太裔作家内米洛夫斯基在遗作《法兰西组曲》中再现了“德占”时期巴黎大逃亡和占领区的民众生活,刻画了战时社会各阶层的生存困境。小说既呈现出法国民众因战争而遭遇的自我认同焦虑与集体身份迷失,同时也传达出作者力图摆脱战时身份困境,积极追寻身份超越的迫切期待。通过刻画“二战”时期法国社会的宏观图景与法国民众的幽微内心,作者展现了人类在战争环境中的渺小无奈与精神追求,体现出了这部小说的独特文学价值与“二战”时期法国人民特有的精神面貌。In her posthumous work,Suite Francaise,the French-Jewish author Irène Némirovsky recreates the mass exodus from Paris during the German occupation and the lives of people in the German-occupied territories,and depicts the existential crisis facing the French people of all social strata.The fiction represents the French people’s anxiety over self-identity and the loss of their collective identity,and meanwhile it also conveys the author’s urgent desire to break free from his own wartime identity predicament and to actively pursue identity transcendence.By portraying the macro picture of the French society and the subtlety of the French people’s inner world during the Second World War,Némirovsky lays bare the insignificance,helplessness and spiritual pursuit of humanity in the war environment,reflecting a distinctive literary value and the unique spiritual demeanor of the French people during World War II period.

关 键 词：伊莱娜·内米洛夫斯基 《法兰西组曲》 身份危机 身份超越 

分 类 号：I06.4[文学—文学理论]