创意思维在展览设计中的视觉延异——以“龙跃黔海——贵州三叠纪的海洋世界”临展为例  

VISUAL DIFFERENCE OF CREATIVE THINKING IN EXHIBITION DESIGN—TAKE THE EXHIBITION‘LOONG DIVING IN THE OCEAN—THE ANCIENT OCEAN IN TRIASSIC GUIZHOU’AS AN EXAMPLE

作　　者：刘辰晨 LIU CHENCHEN

机构地区：[1]国家自然博物馆展览策划部

出　　处：《设计》2024年第13期11-13,共3页Design

摘　　要：旨在通过创意思维激发设计师灵感,为展览设计探索一种新思路。文章以展览设计中的创意思维为研究出发点,结合德里达的延异理论,以“龙跃黔海——贵州三叠纪的海洋世界”展览设计为例,阐述了不同的创意思维方式如何给展览空间带来不同的视觉延异过程,并总结了创意方法、设计思路和视觉规律。创意思维的运用使空间叙事充满个性,视觉呈现别具一格。创意思维使自然类博物馆的展览设计在空间叙事上更厚重,升华了设计的美感和意义,重新诠释和延续了展览的内涵和价值,为设计师和展览设计提供了新思路。The purpose of this article is to inspire designers through creative thinking and explore a new way of thinking for exhibition design.This article takes creative thinking in exhibition design as the starting point of research,combines Derrida’s theory of Difference,and takes the exhibition design case of“Loong Diving in the Ocean—The Ancient Ocean in Triassic Guizhou”as an example to explain how different creative thinking brings different visual variation processes to the exhibition space,and summarize the creative methods,design ideas and visual rules.The use of creative thinking makes the spatial narrative full of personality and the visual presentation unique.Creative thinking makes the exhibition design of nature museums thicker in spatial narrative,sublimates the aesthetics and meaning of the design,reinterprets and continues the connotation and value of the exhibition,and provides new ideas for designers and exhibition design.

关 键 词：创意思维 展览设计 视觉 延异 自然博物馆 

分 类 号：G265[历史地理—考古学及博物馆学]