论福柯的空间思维及其美学意义  

On Foucault's Spatial Thinking and Its Aesthetic Significance

作　　者：高燕 Gao Yan(Center for Art Education,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学艺术教育中心,上海200433

出　　处：《复旦学报（社会科学版）》2024年第4期123-133,共11页Fudan Journal（Social Sciences）

摘　　要：空间思维是福柯思想的根本思维方式,围绕真理批判经历了不同的发展阶段。话语分析时期,空间思维集中体现为运用空间隐喻批判时间思维,动摇了永恒真理的预设。权力分析时期,空间思维体现为探讨话语、知识、权力的空间化。通过在时间思维中植入空间意识,空间思维破除传统的时空观念,释放出独立空间,进而实现对真理的彻底批判。福柯还以“异托邦”和“外边思维”为核心,从本体论的角度建构空间哲学,并探索空间思维的美学意蕴,彰显空间思维的独异性。对空间思维的发掘和确立决定了福柯思想独树一帜的面相,也对20世纪中后期以来人文社科领域的空间转向产生重要而深远的影响。Spatial thinking is the fundamental thinking mode of Foucault's thought,which has different stages of development focusing on truth critique.In the period of discourse analysis,spatial thinking is embodied as the use of spatial metaphor to criticize temporal thinking,which shakes the presupposition of eternal truth.In the period of power analysis,spatial thinking is embodied in the discussion of the spatialization of discourse,knowledge and power.Foucault's spatial thinking is also embodied in“heterotopia”as spatial philosophy and“the thought of the outside”as aesthetic practice.The exploration and establishment of spatial thinking not only determines the unique appearance of Foucault's thought,but also has an important and far-reaching influence on the spatial turn of the humanities and social sciences since the middle and late 20th century.

关 键 词：福柯 空间思维 外边思维 美学意义 

分 类 号：I01[文学—文学理论]