延安文艺传播与“人民文学”范式建构研究及其意义  

Research on the Communication of Yan’an Literature and Art and the Construction of the Paradigm of“People’s Literature”and Its Significance

作　　者：卢美丹 Lu Meidan

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《河南大学学报（社会科学版）》2024年第4期73-78,154,共7页Journal of Henan University(Social Sciences）

基　　金：国家社会科学基金青年项目“延安文艺传播与‘人民文学’建构研究”(20CZW043)阶段性成果;河南省高等学校青年骨干教师培养计划成果。

摘　　要：延安文艺是“人民文学”建构的重要阶段,文艺政策、文艺传播、文艺创作、文艺批评的共同建构作用呈现新的历史特征。较之延安文艺政策的宏观构架、文艺创作和批评相对专业的话语,文艺传播则显示了宽广的社会参与面、丰富多元的建构活动、动态而综合的建构效应,从而深刻影响“人民文学”的创作理念、创作方法、身份意识、文艺制度、经典认知等的发展,是我们探讨“人民文学”范式建构的重要视角。Yan’an literature and art is an important stage in the construction of“people’s literature”,and the joint construction of literary policies,literary dissemination,literary creation,and literary criticism presents new historical characteristics.Compared to the macro framework of Yan’an’s literary and artistic policies,as well as the relatively professional discourse in literary creation and criticism,the dissemination of literature and art demonstrates its broad social participation,rich and diverse construction activities,and dynamic and comprehensive construction effects,which deeply influence the development of the creative concept,creative methods,identity consciousness,literary system,and classical cognition of“people’s literature”.It is an important perspective for us to explore the construction of the paradigm of“people’s literature”.

关 键 词：延安文艺 文艺传播 人民文学 范式建构 

分 类 号：I206[文学—中国文学]