“私小说”的“回归”·颠覆·超越——村上春树短篇集《一人称单数》论  

Return,Subversion and Transcendence of“Private Fiction”-On Haruki Murakami's Short Story Collection First Person Singular

作　　者：杨芳[1] 霍士富[1] YANG Fang;HUO Shi-fu

机构地区：[1]西安交通大学外国语学院,陕西西安710049

出　　处：《外语导刊》2024年第4期150-157,F0003,共9页Foreign Languages Bimonthly

基　　金：教育部人文社会科学规划基金项目(23XJA752001);陕西省社会科学基金项目“艾丽丝·门罗小说的存在主义意蕴研究”(2023H016)。

摘　　要：村上春树《一人称单数》中的系列短篇,都以貌似作者本人的身份,忠实地再现自己的人生经历。但这一有意图的“私小说”之“回归”,只是表象上的形似,其本质上建构的“一人称单数”的“我”,是由“‘我’与反‘我’组成的化合物”,也是此“化合物”之间的矛盾纠葛产生苦恼的运动体。但正是此“运动体”使“我”创造了别样的人生。同时,作者在小说中围绕“自我”与“他者”之关系问题,用“他者”的绝对性理论,解构了“私小说”中唯“我”独尊的一元世界,建构了多元世界平行并存的后现代世界,由此颠覆和超越了日本传统“私小说”的创作体系。The series of short stories in Haruki Murakami's First Person Singular seem to faithfully reproduce personal life experiences in the identity of the author himself.But this seems to be an intentional return to“private fiction”,while in essence the constructed“I”of“first person singular”is a compound of“I”and“anti⁃I”,and also a moving body with distress out of its contradictions and entanglements.It is just the paradoxical“moving body”with“self⁃identity”that helps“I”create a heterogeneous life that is different from the life experiences“I”have undergone reflected in“private fiction”.At the same time,centering on the relationship between“the self”and“the other”and by the theory of the absoluteness of“the other”,the author deconstructs the egoistic monadic world in“private fiction”and constructs a postmodern world with coexisting parallel multiple worlds,thus subverting and surpassing the traditional Japanese“private fiction”creation system.

关 键 词：村上春树 一人称单数 私小说 平行世界 

分 类 号：I313.074[文学—其他各国文学]