论简·奥斯丁小说影视改编的多重宇宙  

On the Multiple Adaptation Universe of Jane Austen's Novels

作　　者：刘琼 LIU Qiong(School of Humanities and Social Sciences,Hainan Tropical Ocean University,Sanya Hainan,572000,China)

机构地区：[1]海南热带海洋学院人文社会科学学院,海南三亚572000

出　　处：《文化创新比较研究》2024年第19期57-61,共5页Comparative Study of Cultural Innovation

摘　　要：英国女作家简·奥斯丁的6部长篇小说都以青年女子的爱情与婚姻故事为主线,展现了19世纪的英国社会面貌和中产阶级生活图景。自20世纪40年代以来,这些作品被多次改编成电影和电视剧,形成了奥斯丁小说的改编热潮。文章梳理了历年来奥斯丁小说改编成电影及电视剧的情况,从改编风格入手将其分成好莱坞式改编、遗产式改编、现代式改编三种方式,并重点探索了影视界热衷于改编的原因,如经济、文化、小说与影视艺术的对比等。通过多种影视剧改编形成了简·奥斯丁小说的多重改编世界,也反映了不同时代的读者和观众对奥斯丁小说的不同解读。British female writer Jane Austen's six novels all revolve around the love and marriage stories of young women,showcasing the social landscape and middle-class life of 19th century England.Since the 1940s,these works have been adapted multiple times into movies and TV dramas,forming a wave of adaptation in Austen's novels.The article reviews the adaptation of Austen's novels into movies and TV dramas over the years,and divides them into three types based on adaptation styles:Hollywood style adaptation,heritage style adaptation,and modern style adaptation.It also focuses on exploring the reasons why the film and television industry is enthusiastic about adaptation,such as the comparison between economy,culture,novels,and film and television art.The adaptors have formed multiple adaptation worlds of Jane Austen's novels through various film and television adaptations,reflecting different interpretations of Austen's novels by readers and audiences from different eras.

关 键 词：简·奥斯丁 电影改编 《傲慢与偏见》 《理智与情感》 《劝导》 《爱玛》 

分 类 号：I561.074[文学—其他各国文学] J905[艺术—电影电视艺术]