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作 者:刘芬[1] 臧王爽 张华[1] 袁进东[3] LIU Fen;ZANG Wang-shuang;ZHANG Hua;YUAN Jin-dong(School of Packaging Design Art,Hunan University of Technology,Zhuzhou 412007,Hunan,P.R.China;Guangzhou College of Technology and Business,Guangzhou 510850,Guangdong,P.R.China;School of Furniture and Art Design,Central South Forestry University,Changsha 410004,Hunan,P.R.China)
机构地区:[1]湖南工业大学包装设计艺术学院,湖南株洲412007 [2]广州工商学院,广东广州510850 [3]中南林业科技大学家具与艺术设计学院,湖南长沙410004
出 处:《林产工业》2024年第8期39-45,共7页China Forest Products Industry
基 金:教育部人文社会科学项目(19YJA760086);湖南省教育厅重点项目(21A0367);湖南省社科基金一般项目(21YBA097)。
摘 要:以符号学理论为研究基础,探究宋代家具造型特征中的文化意义。从宋代家具的结构符号、形态符号、装饰符号及材料符号4个方向揭示了家具形式与符号意义之间的复杂关系,并探析了宋代社会的政治、经济、科技及文化4个因素对家具造型特征的影响。研究发现,宋代家具的造型特征不仅具有审美价值,还承载着社会文化的符号性意义。同时,也反映了宋代工匠的精神追求、审美观念和设计哲学思想。利用符号学理论研究宋代家具的造型特征,能够为宋代家具的传承与发展提供新的思路和策略。Based on the theory of semiotics,in this study,the symbolic meanings in the styling features of furniture in the Song Dynasty were explored.The complex relationship between furniture form and symbolic meaning from the four directions of structural symbols,morphological symbols,decorative symbols,and material symbols in the Song Dynasty furniture was revealed.In addition,it focused on analyzing the influence of the political,economic,technological,and cultural environment of the Song Dynasty society on furniture styling.The results showed that the styling features of furniture in the Song Dynasty not only had aesthetic value,but also carried symbolic significance of social culture,and reflected the spiritual pursuit and aesthetic concepts of Song Dynasty craftsmen.Using semiotic theory to study the styling characteristics of furniture in the Song Dynasty can provide new ideas and strategies for the inheritance and development of furniture in the Song Dynasty.
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