中国作为“方法”:威廉·钱伯斯的中国园林书写及其经验论建构  

China as Method:William Chambers’writing on Chinese gardens and its empiristic construction

作　　者：黄若愚 Huang Ruoyu

机构地区：[1]太原理工大学艺术学院,山西晋中030600

出　　处：《南京艺术学院学报（美术与设计）》2024年第4期111-117,I0002,I0003,共9页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：山西省艺术科学规划课题《<东方造园论>及其经验论造园艺术思想研究》(22BG019);国家社科基金重大项目《生生美学与中华美学精神的传承创新研究》(23&ZD280)阶段性研究成果。

摘　　要：威廉·钱伯斯根据在华见闻写就《中国园林的布置艺术》《东方造园论》等文本描述中国园林。受英国经验主义美学影响,钱伯斯将自己的园林见闻架构在感觉论造园观的理论框架中,致力塑造园林激发情感的审美效力,以至改变了中国造园艺术的思想形状。这些文本体现了将中国作为“方法”,通过伪饰和建构中国来映射和改进自身的书写策略。Based on his experiences in China,William Chambers wrote successivelyof the Art of Laying Out Gardens among the Chinese,A Dissertation on Oriental Gardening and so on to describe Chinese gardens.Influenced by British empirical aesthetics,Chambers framed his experiencesabout gardens in the theoretical framework of sensationalism and devoted himself to shaping the aesthetic effect of gardens to stimulate emotions,thus changing the ideological shape of Chinese art of gardening.These texts embodied the writing strategy of taking China as method and mapping and improving itself by disguising and constructing China.

关 键 词：钱伯斯 《东方造园论》 中国园林 经验主义美学 情感 

分 类 号：J503[艺术—艺术设计]