须弥华藏:莫高窟隋初第302、303窟中心柱形象意涵新探  

Sumeru Mountain and the Avatamsaka World:New Exploration of the Meaning of the Centre Columns inCaves 302 and 303 of the Dunhuang Mogao Grottoes from the Early Sui Dynasty

作　　者：张鹏[1] Zhang Peng

机构地区：[1]中央美术学院人文学院,北京100102

出　　处：《南京艺术学院学报（美术与设计）》2024年第4期152-160,I0003,共10页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：莫高窟302与303窟作为莫高窟仅有的两例倒圆锥形中心柱窟,其中心柱形式却颇为罕见。目前学界多将其比定为须弥山中心柱,并从须弥山世界的形态、整体的同心圆结构、中心柱与周边千佛的联系等诸多角度尝试对其进行讨论,但仍不乏经意阐释与观察上的不足。本文通过对302窟303窟形制的重新观察,结合对二者的形象对比与关键细节的梳理,探讨其表现华严思想下华藏世界的形象可能。As the only two cases of inverted conical center column in Mogao Grottoes,the style of the center column in Cave 302 and 303 ofMogao Grottoes is quite rare.At present,the academic circle mostly compares it to Mount Sumeru and tries to discuss it from multiple perspectives such as the form of Mount Sumeru World,the concentric circle structure of the center column,and the connection between the center column and the thousands of Buddhas surrounding it,and so on,which still lacks scriptural interpretation and image observation.Through the re-observation of Mogao GrottoesNo.302 and 303,this paper intends to compare the images within two caves,tease out the key details within them,and explore the possible image of the Avatamsaka World under the ideology of the Huayan school of Buddhism.

关 键 词：莫高窟第302、第303窟 中心柱形象 须弥山 华藏世界 华严宗 

分 类 号：J19[艺术—艺术理论]