美术馆与博物馆释展与大众审美接受交互研究——以青岛博物馆2023年“5·18国际博物馆日”群展主题活动为例  

Interactive Research on the Interpretation of Art Museums and Museums and the Acceptance of Public Aesthetics:Taking the 2023"5.18 International Museum Day"Group Exhibition Theme Event of Qingdao Museum as an Example

作　　者：张闫博宇 李雪妍 

机构地区：[1]青岛科技大学艺术学院

出　　处：《建筑与文化》2024年第8期291-293,共3页Architecture & Culture

基　　金：教育部“十四五”教育科研规划全国重点课题“美术馆展览工作中的文化传承作用研究”(项目编号:JKY40246)。

摘　　要：“释展”一词首先出现在博物馆展览中,美术馆与博物馆作为既有联系又有区别的两种艺术空间,其展览内容与面对的人群更有针对性。文章以青岛博物馆518国际博物馆日主题美术展览活动为例,通过对其策划与实践分析,探究美术展览策划未来发展方向,从而提高美术展览与大众审美接受的契合程度,使大众在观展过程中更具认同与归属感,从而提高美术展览内涵知识的有效传播。The term"interpretation exhibition"first appeared in museum exhibitions.As two types of art spaces with both connections and differences,art museums and museums have more targeted exhibition content and audience.This paper takes the Qingdao Museum 518 International Museum Day themed art exhibition activity as an example,explores the future development direction of art exhibition planning through planning and practical analysis,thereby improving the compatibility between art exhibitions and public aesthetic acceptance,making the public more identify and belong during the viewing process,and improving the effective dissemination of art exhibition connotation knowledge.

关 键 词：美术馆 释展 审美接受 大众审美 

分 类 号：G265[历史地理—考古学及博物馆学] J124[艺术—艺术理论] J505