庚子国变题材视野下的近代戏剧创作  

Modern Drama Creation from the Perspective of the Boxer Rebellion

作　　者：赵霞[1] ZHAO Xia(School of Liberal Arts and Law,Henan Polytechnic University,Jiaozuo 454003,China)

机构地区：[1]河南理工大学文法学院,河南焦作454003

出　　处：《唐山师范学院学报》2024年第4期45-51,共7页Journal of Tangshan Normal University

基　　金：国家社科基金一般项目(23BZW140);河南省教育厅人文社科研究项目(2024-ZDJH-749)。

摘　　要：庚子国变后,相关戏剧作品亦蜂拥而出。创作者身份的特殊,戏剧改良的推动与庚子国变的助力,造就了这一批作品的独特风貌。作品的形貌、作者的情怀、表达的直白,无不昭示着庚子国变题材视野下的戏剧作品的特殊,透过表象亦可探究作品风貌产生的深层次原因及创作者的独特心态。After the Boxer Rebellion,related dramas ermerged in large numbers.The special identities of the creators,the promotion of drama reform and the power of Boxer Rebellion created the unique style of these dramas.The appearance of drama,the writer’s feelings,and the straightforward way of expression all show the particularity of drama works from the perspective of the Boxer Rebellion.It is just through a number of appearances that we can explore the deep-seated reasons for the appearance of works and the unique mentality of the creator.

关 键 词：庚子国变 戏剧创作 作品形貌 创作心态 表现方式 

分 类 号：I207.3[文学—中国文学]