元代文人画的“生生”之美  

Beauty of"Shengsheng"about the Paintings of Man-of-letters in the Yuan Dynasty

作　　者：卢政[1] 王张宇 LU Zheng;WANG Zhangyu(School of Literature,Ludong University,Yantai 264025,China)

机构地区：[1]鲁东大学文学院,山东烟台264025

出　　处：《枣庄学院学报》2024年第4期24-31,共8页Journal of Zaozhuang University

基　　金：国家社会科学基金重大项目“生生美学与中华美学精神的传承创新研究”(项目编号:23&ZD280);山东省社会科学规划研究重点项目“生态思维影响下的中华美学精神生成与嬗变研究”(项目编号:22BZWJ01)阶段性成果。

摘　　要：“生生”体现着元代文人画的本质特征,也是其形式美的内在依据。元代文人画不求“形似”只求“神似”,多以自然山水为主题,旨在建构生生不息的艺术境界,为世人呈现了独特的“生生”之美。元代文人画抒写胸中逸气、展示生命脉动是元代文人画的“生生”之美的独特内蕴;元代文人画多依托自然山水、草木生灵等物象,借以展示个人的才情气质、抒发个人的理想抱负,间或寄寓个人愤懑之情,充分展现个体生命之丰富与充盈;元代文人画通过精心的构图以及对墨色浓淡、干湿变化的调控,着力营造画作的情感空间和生命质感。元代文人画的“生生”之美是传统“生生”之学在绘画领域的呈现,本质上是中国古典形态的“天人相和”的生态之美,它反映了元代文人对人与自然万物和谐的审美关系的深切渴望,对动态的、充满活力的生命美感的热烈追求。"Shengsheng"embodies the essential characteristics of the paintings of man-of-letters in the Yuan Dynasty and is the inner basis of its formal beauty.The paintings of man-of-letters in the Yuan Dynasty seek"similarity in spirit"without seeking"similarity in form",mostly taking the natural landscape as the theme,aiming at constructing the art realm of endless life,and presenting the world with the unique beauty of"Shengsheng".Expressing the free spirit in the chest and showing the pulsation of life are the unique connotations of the beauty of"Shengsheng"in the paintings of man-of-letters in the Yuan Dynasty.The paintings of man-of-letters in the Yuan Dynasty mostly rely on the natural landscapes,grass,trees,people and other objects to display personal talent and temperament,to express personal ideals and aspirations,or occasionally to embody personal resentment,which fully demonstrates the richness and fullness of individual life.The paintings of man-of-letters in the Yuan Dynasty try to construct the emotional space and life texture through the careful composition and the control of the shade,dry and wet change of ink color.The beauty of"Shengsheng"in the paintings of man-of-letters in the Yuan Dynasty is the artistic presentation of traditional"Shengsheng"idea in the field of paintings,which is essentially a kind of ecological beauty of"harmony between heaven and man"in the classical Chinese form,and reflects that the people in the Yuan Dynasty deeply long for a harmonious aesthetic relationship between man and nature,and eagerly pursue a dynamic and lively sense of beauty.

关 键 词：“生生”之美 元代文人画 生命意识 生态之美 中华美学精神 

分 类 号：B835[哲学宗教—美学]