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作 者:蔡鹏飞 CAI Pengfei(College of Chinese and Literature,Hebei Normal University,Shijiazhuang 050024,China)
出 处:《湖北文理学院学报》2024年第7期46-52,共7页Journal of Hubei University of Arts and Science
基 金:河北师范大学研究生创新资助项目(XCXZZSS202410)。
摘 要:苏轼佛禅思想的形成是宋型文化下的必然产物,但其产生过程中却呈现出不同因素的相互作用和推动。通过“思想—文学观、价值观—创作”的考察模式,可以发现宋代佛教首先在世俗和理念两个层面对苏轼的思想形成产生了影响,而苏轼又因个人创作观念革新和人生表达需要选择了对佛禅理念进行接受,在将其融合到自己思想体系里的同时也将佛禅理念灵活运用到创作之中。而这种运用又在其诗歌创作上留下了痕迹,从创作题材、内容和意境等方面为宋诗的诗境开拓做出贡献。The formation of Su Shi’s Buddhist and Zen thought is an inevitable product of Song culture,but the process of its creation shows the interaction and promotion of different factors.Through the examination mode of“thought-literary view,value-creation”,this paper argues that Buddhism in the Song Dynasty firstly influenced the formation of Su Shi’s thought at the secular and conceptual levels,and Su Shi chose to accept the Buddhist and Zen cultures due to the innovation of his personal creative concepts and the need to express his life,thus completing the internalisation of the Buddhist and Zen concepts.He chose to accept Buddhism and Zen culture due to the need for personal creative conceptual innovation and life expression,thus completing the internalisation of the concept of Buddhism and Zen.This internalisation left traces in his poetry and contributed to the development of Song poetry in terms of subject matter,content and mood.
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