当代歌剧导演视角下的色彩审美探析——以国家大剧院《罗密欧与朱丽叶》为例  

Contemporary Opera Directors'Perspective on Color Aesthetics--A Case Study of the National Centre for the Performing Arts"Romeo and Juliet"

作　　者：许朦胧 Xu Menglong(China Academy of Art)

机构地区：[1]中国美术学院

出　　处：《色彩》2024年第6期49-51,共3页Fashion Color

摘　　要：本文探讨了执导国家大剧院《罗密欧与朱丽叶》的歌剧导演斯特法诺•波达的艺术理念,以及他在当代歌剧制作中的实践应用。波达以“整体艺术”为指导思想,将导演、服装设计、灯光设计、布景设计和编舞指导等多个领域融合,创造出统一而创新的舞台效果。在他的作品中,色彩不仅是视觉效果的重要组成部分,更承载着角色情感和剧情象征的意义。通过对比强烈的颜色运用和抽象化叙事手法,波达展示了对传统形式的突破和对审美创新的追求,凸显了导演在当代歌剧制作中的关键地位和重要作用。This article examines the artistic philosophy of Stefano Poda,director of"Romeo and Juliet"at the National Centre for the Performing Arts,and his approach to contemporary opera production.Poda's concept of"Gesamtkunstwerk"blends directing,costume design,lighting,set design,and choreography to create a cohesive and innovative stage effect.In his work,color is crucial not only for visual impact,but also for conveying the emotions and symbolism of the characters and plot.By using contrasting colors and abstract narratives,Poda breaks from tradition and pursues aesthetic innovation,underscoring the director's essential role in modern opera.

关 键 词：歌剧导演 色彩审美 歌剧制作 斯特法诺•波达 

分 类 号：J063[艺术—艺术理论] J822