李泽厚历史本体论与当代草书艺术失语  

Li Zehou's Historical Ontology and the Loss of Discourse in Contemporary Cursive Script Art

作　　者：吕金光 罗艳清 LüJinguang;Luo Yanqing

机构地区：[1]山东艺术学院书法学院,山东济南250300

出　　处：《艺术探索》2024年第3期64-69,共6页Arts Exploration

摘　　要：草书是最能表达内心精神的书法形式。草书的创作是对于意境的追求过程,有高度的草书作品应当是概括自然、书写自然的,是对生命的表现。草书艺术的崇高境界是在社会与心理共同的影响下形成的。李泽厚所提出的人类学历史本体论为当代草书艺术的发展提供了清晰的发展路径。只有社会本体与心理本体共同进步,才能使草书创作达到新的高度与境界。Cursive script is the form of calligraphy that best express the inner state of mind.The creation of cursive resulted from a process of pursuing artistic conception,and a highly accomplished work of cursive script should encapsulate and express the nature that embodies the essence of life.The sublime realm of the art of cursive script is attained under the joint influence of societal and psychological factors.Li Zehou's proposed ontology of human history provides a clear developmental trajectory for the evolution of contemporary cursive script art.Only when the social and psychological ontologies advance in tandem can cursive script creation reach new heights and realms.

关 键 词：史学 社会本体论 心理本体论 当代草书 

分 类 号：B26[哲学宗教—中国哲学] J292.1[艺术—美术]