中国式现代化视域下文艺美学的学术史脉络与理论体系建构——评高迎刚、王潇《中国式现代化进程中当代文艺美学理论体系的多元结构》  

The Academic History and Theoretical System Construction of Literary Aesthetics from the Perspective of Chinese-style Modernization——a Review of Gao Yinggang and Wang Xiao’s the Pluralistic Structure of the Theoretical System of Contemporary Literary Aesthetics in the Process of Chinese-style Modernization

作　　者：蒋文浩 JIANG Wenhao

机构地区：[1]复旦大学古代文学研究中心,上海200433

出　　处：《淮南师范学院学报》2024年第4期113-118,共6页Journal of Huainan Normal University

基　　金：2023年国家社会科学基金艺术学重大项目“中华文明精神标识的艺术呈现与传播研究”(23ZD02)。

摘　　要：高迎刚、王潇的《中国式现代化进程中当代文艺美学理论体系的多元结构》一文,以中国式现代化观照文艺美学的发展过程,剖析了文艺美学作为中国式现代化一环的学术理路;通过分析当代文化性质的发展厘清了文艺美学在当代的困境与破局方法;最后,通过梳理中国式现代化进程中文艺美学学科的发展历史,归纳当代文艺美学理论“辐辏式”的多元化理论模型。这不仅有利于文艺美学理论体系的进一步构建与阐释,更为文艺美学如何融入社会生产生活之中,提供了可供参考的方法路径。“The pluralistic structure of the theoretical system of contemporary literary aesthetics in the process of chinese-style modernization”by Gao Yingang and Wang Xiao,under the theory of“Chinese-style modernization”,observes the development process of literary aesthetics,and analyzes the academic theory of literary aesthetics as a link of Chinese-style modernization.By analyzing the development of contemporary cultural nature it delineates,the dilemma and breakthrough methods of“literary aesthetics”in contemporary times.Finally,by combing the development history of the discipline of“literary aesthetics”in the process of“Chinese-style modernization”,the author creatively sums up the diversified theoretical model of contemporary literary aesthetics theory of“convergence”.This establishes a new model for the further construction and interpretation of the theoretical system of literary aesthetics.It also provides a reference method path for how literary aesthetics can be integrated into social production and life.

关 键 词：中国式现代化 文艺美学 文艺实践 

分 类 号：I01[文学—文学理论]