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作 者:陆婷婷 LU Tingting(Design School,Nanjing University of the Arts,Nanjing 210013,China)
出 处:《北京印刷学院学报》2024年第7期56-63,共8页Journal of Beijing Institute of Graphic Communication
基 金:江苏高校文化创意协同创新中心第三期建设项目(NYXT2022016)阶段性成果。
摘 要:服饰艺术与家具在许多方面都有着密切的相似性。对小众化的穿戴概念艺术家具进行研究分析,挖掘其对原有服饰穿戴形式的深化,探索实用性和艺术性并存的可能。文章从服饰“穿戴”艺术的视角,以图文互证的研究方式,围绕穿戴概念家具的典型案例取样,对其成因、视觉特征、艺术表现进行梳理,总结穿戴概念家具的理念核心、创作原则和创作手法。为设计学科的跨领域交叉研究提供有效样本,为家具设计的创新提供全新的研究视角。Objective Clothing art and furniture design have close similarities in many aspects.This paper studies and analyses the design of wearing conceptual artists with minimalization and conceptualization,explores the deepening of the original wearing style of clothing,and explores the possibility of the coexistence of practicality and artistry.From the perspective of clothing“wearing”art,the research method of mutual verification of images and texts.We based on the typical cases of wearable concept furniture,the causes,visual characteristics and artistic expression of wearable concept furniture are sorted out,and the concept core,creation principles and creation techniques of wearable concept furniture are summarized.It provides an effective sample for interdisciplinary research of design discipline and a new research perspective for innovation of furniture design.
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